Neil Crossley
Neil Crossley is a freelance writer and editor whose work has appeared in publications such as The Guardian, The Times, The Independent and the FT. Neil is also a singer-songwriter, fronts the band Furlined and was a member of International Blue, a ‘pop croon collaboration’ produced by Tony Visconti.
Latest articles by Neil Crossley

By Neil Crossley Published
The song’s structure gradually builds into a massive multi-layered arrangement

By Neil Crossley Published
“Don’t just write a song about your ex – make him play lead guitar and sing it right to his face on stage”

By Neil Crossley Published
“We were struggling so hard to find that song. It was a different kind of songwriting”

By Neil Crossley Published
“We were trying to create dance music for the head rather than the feet"

By Neil Crossley Published
“The lyric was about one of Bernie’s exes, but I also thought it worked as a message to my new record company”

By Neil Crossley Published
“The movie lifts the song and the song lifts the movie”

By Neil Crossley Published
“It’s the concept of hope that the song communicates. It made the future look better”

By Neil Crossley Published
“I was really in love with this woman and I wrote a song to impress her”

By Neil Crossley Published
“Her zest, her humour, her fragility, her fearlessness and her audacious, unbridled talent – it’s all captured on tape”

By Neil Crossley Published
For all its sun-soaked connotations, the song was actually written in a freezing cold New York apartment

By Neil Crossley Published
“I wrote the lyrics about a person – and I’ve known a few – who gets under your skin”

By Neil Crossley Published
John Lennon called it “one of my favourite Beatle tracks”

By Neil Crossley Published
“It was as close to pure inspiration as I've ever experienced,” King said

By Neil Crossley Published
Featuring a $20 drum machine and strings orchestrated by Led Zeppelin's John Paul Jones

By Neil Crossley Published
Following the sad news of her death, we look back on the making of the song that became Parton's first big crossover hit

By Neil Crossley Published
The director said her song was perfect – although his first choice had been Prince

By Neil Crossley Published
Townshend took punk seriously but refused to be cast off as an irrelevant rock dinosaur

By Neil Crossley Published
A raw confessional piano ballad about his own deep personal insecurities

By Neil Crossley Published
An anthem inspired by the legendary music festival – by an artist who wasn’t actually there

By Neil Crossley Published
“That song is like that feeling when you’re walking on the clouds because you’re in love”

By Neil Crossley Published
“We ended up using the demo because it had an energy and a sound”

By Neil Crossley Published
The song emerged from the hedonism and chaos of Bob Dylan’s Rolling Thunder Revue tour

By Neil Crossley Published
“I knew Bernie would like me to do this one because it’s about his girlfriend”
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